Julian Treasure: Why architects need to use their ears / ¿Por qué los arquitectos deben usar sus oídos?
marzo 27, 2013Resonant Chamber | Making
mayo 16, 2012
Resonant Chamber is an interior envelope system that deploys the principles of rigid origami to transform the acoustic environment through dynamic spatial, material and electro-acoustic technologies. Our aim is to develop a soundsphere able to adjust its properties in response to changing sonic conditions, altering the sound of a space during performance and creating an instrument at the scale of architecture, flexible enough that it might be capable of being played. The project is developed through three streams of iterative research and development in both computational testing and full-scale prototype installation: Dynamic Surface Geometries; Performative Material Systems; and Variable Actuation and Response. Resonant Chamber is funded through the 2011 Research through Making Grant, U-M Office of the Vice President for Research, 2011 Small Projects Grant, U-M Center for Wireless Integrated Microsystems, Social Science and Humanities Research Council of Canada Research Creation Grant.
Investigadores de la UPV desarrollan un modelo matemático para estimar las vibraciones transmitidas en una vía ferroviaria
mayo 14, 2011
Recientemente, investigadores de la Universidad Politécnica de Valencia han publicado un artículo en la revista "Mathematical and Computer Modelling", en el que se describe un modelo destinado a la estimación de los niveles de vibración obtenidos en el entorno a partir de la zona de interacción rueda-carril.
Para más información, se puede visitar la siguiente página:
http://wwwcronicaferroviaria.blogspot.com/2011/02/espana-desarrollan-modelo-matematico.html
Publicado en Acoustics | | Visto: 711 veces
About This Video
We look around us—constantly. But how often do we listen around us? Sound is critically important to our bodies and brains, and to the wider natural world. In the womb, we hear before we see. John Schaefer, Jamshed Bharucha, Christopher Shera, the Danish sound artist Jacob Kirkegaard, and multi-instrumentalists Polygraph Lounge embark on a fascinating journey through the nature of sound. How we perceive it, how it acts upon us, and how it profoundly affects our well-being—including a demonstration of sounds produced by sources as varied as the human inner ear and the creation of the universe itself.
Para más información, se puede visitar la siguiente página:
http://wwwcronicaferroviaria.blogspot.com/2011/02/espana-desarrollan-modelo-matematico.html
Publicado en Acoustics | | Visto: 711 veces
World Science Festival 2010 / Good Vibrations: The Science of Sound
mayo 13, 2011About This Video
We look around us—constantly. But how often do we listen around us? Sound is critically important to our bodies and brains, and to the wider natural world. In the womb, we hear before we see. John Schaefer, Jamshed Bharucha, Christopher Shera, the Danish sound artist Jacob Kirkegaard, and multi-instrumentalists Polygraph Lounge embark on a fascinating journey through the nature of sound. How we perceive it, how it acts upon us, and how it profoundly affects our well-being—including a demonstration of sounds produced by sources as varied as the human inner ear and the creation of the universe itself.







